Wednesday, October 15, 2025

Rockport Retrospective





  • The original Rockport Center for the Arts was housed in a 6,000-square-foot Victorian-era building, which was severely damaged and subsequently demolished after Hurricane Harvey in 2017. 


  • The Rockport Center for the Arts underwent a significant rebuild with the construction of a new $12.5 million, state-of-the-art facility that opened in December 2022.

In 2013 we were in Rockport where we worked with workshop participants to collect plastic and create Washed  Ashore 

We are thrilled to be invited to send work to the AIR Retrospective.

 https://www.rockportartcenter.com/exhibitions/airretrospective


Our trip to Texas in 2013 took us to the town of Rockport, 40 minutes north of Corpus Christi. In 2012, The Rockport Art Center, with its go-getting staff, sponsored a film festival that featured the short film about us One Plastic Beach. They found the film compelling enough to invite us to their new residency program for a weeklong workshop and exhibit. Rockport, a Gulf Coast fishing village, now includes a retirement community and a weekend getaway spot for San Antonio and Houston. As they say in Rockport, "the Texans come down for the weekend." So many Texas-es.

Rockport sits on Aransas Bay, the main body of the gulf, separated by a string of barrier islands 500 miles long from Galveston to Brownsville. This is the Aransas National Wildlife refuge, a birders’ paradise with terns, roseate spoonbills, ducks galore, herons, ibis—and, the main winter home of the Whooping Crane, almost lost to the world with a population of 21. These days, there are over 430 in the wild and a lot of them live in the environs of Rockport. Tourist dollars fly south for the winter viewing—the cranes wouldn't be here were it not for some avid, environmentally savvy folks.

We were enlisted to collect local beach plastic then put together an exhibit at the Center. We know from Kehoe Beach that the plastic can on the beach can be intermittent. What if we don't find any plastic? Just in case, we brought prints of our work, but they'd make a pretty paltry show in the five rooms we had to fill. And the prints we make are fine, but we would need the real stuff to make an impact.

Well, it was all fine, if you count fine as finding boatloads of plastic. The beach at Matagorda Island was covered. With our group of 10 workshop participants, in six hours we collected 55 hard hats, 5 plastic pigs, 11 plastic trucks. But only one nurdle and one Kraft Handi-snack® cheese spreader. There was ample plastic to fill a dozen galleries.

Years ago, we arrived at the notion that the plastic presented in the most matter-of-fact way tells the story best. We've been aiming at the "oh! that was once mine" feeling. To take ownership of the problematic nature of plastic pollution. Our group really got into that feeling. Just tell it like it is. This is what there is—no need to embellish.

As a centerpiece, a group of hard hats went up on the wall in martial order. One of the most compelling finds was a trotline or a long line. A great snarl of heavy-duty monofilament with hundreds of baited hooks and empty water bottles strung along for floatation and retrieval. These deadly pieces of gear catch the top of the food chain creatures—sharks primarily. We mounted the line and hooks on the wall, washed off but just as found—a powerful sculpture with a heart-breaking message.

To simulate plastic floating in the ocean, each participant helped to attach shards, fragments, and identifiable pieces of plastic on to wires to hang from the ceiling in a squared shape curtain, making a plastic-walled room within a room.

We've often said, our best times with people are spent hard at work. We enjoy the affability that comes with a focus on a task. In the art center’s workshop room, a lively quilting bee atmosphere prevailed so it was a daily struggle to pry the folks away.

It was the energetic and creative Rockport folks that made our stay a trip to remember.



Row upon row of hardhats


The trotline

A Room Within a Room

Richard doing a computer search,
on a quest for the answer to “why so many piggy banks?”

 

The mystery of washed ashore piggy banks continue to make news with the article in the latest issue of the Beachcomber's Alert newsletter.




The AIR Retrospective opened on October 4. Many thanks to curator Caty Arnold who did such a great job installing our work. Yes, the piggy banks are, once again, on display.













Friday, September 19, 2025

Kingdom Animalia

After making our first collaborative sculpture Trophy Fish in 2000, we turned away from using our plastic to make animals and such; and decided to only show the plastic, as is, in its matter of fact form. 

When Doug Woodring from Ocean Recovery Alliance encouraged us to reach new audiences through online exhibitions, we took the bait and submitted an image of our Trophy Fish to Exhibizone's Kingdom Animalia who made many promises about how they would help to spread the word about our project.

Here are our digital "stamps." 



https://artist.callforentry.org/festivals_unique_info.php?ID=15626

Here's what might happen:



Stay tuned.


Trophy Fish is made of plastic lids and caps, collected from Kehoe Beach in Point Reyes National Seashore. Stacked concentrically, the dense colors are playful and generous. In their quantity, the lids are purposeful and attractive.


Our curiosity about these ubiquitous pieces of plastic developed into a concept. Inspired by our explorations of the shore, we decided to make something to celebrate our time there. After much aesthetic wrangling, we were pleased to present a trophy fish: sea, time, fish, our place in history—a show-off piece.

Friday, September 5, 2025

another RE:

We are feeling REwarded after the REmarkable REception last evening at Sonoma State University Art Gallery. The joint was jumpin' with artists and appreciators of all stripes. We are thrilled to be included. 

THANK YOU to Claudia Molloy, direction of operations and curators Eileen Parent and Stefan Kiesbye for your attention to every detail and for putting together such an illustrious group of artists and artworks. 


For more information visit the SSU Art Gallery website.  Gallery hours Tuesday-Saturday 11-4.

On Thursday, September 18 from 4-6 PM, we will be hosting a free hands-on workshop.




 Foreground: Woven Baskets by the T.R.A.S.H. team
Background: right Unaccountable Proclivities 
Background left: After Pollock 

















Watch the hands-on in action: INSTAGRAM



Friday, August 8, 2025

8/8/25




In Chinese numerology, 8/8/25 is a good day for starting new ventures, making important decisions, or engaging in activities related to wealth and prosperity. 

So, with Ocean Recovery Alliance in Hong Kong, we are thrilled to ride this wave of AI fun, as an awareness builder and fund-raiser for this awesome organization.

Welcome to Plastically Possible! A fun, new way to create pictures of sea animals, using GenAI to compile artistic images from plastic waste. By showcasing the staggering amount of plastic collected from just 1,000 yards of beach, the images invite everyone to consider their role in making our ocean and environment a better place, one piece of plastic at a time.
www.oceanrecov.org




Check out Doug Woodring and Napoleon Biggs in conversation 

https://www.facebook.com/reel/726299256898234?mibextid=wwXIfr


Check out Doug Woodring talking about Plastically Possible on The Brew, RTHK Radio 3, Hong Kong

https://www.facebook.com/reel/1541839353831082






Thursday, August 7, 2025

What's with the wads?

 



Wads are used to encase shot inside a shotgun shell and are one of the most pernicious pieces of plastic that we find on the beach. We have thousands of them in our collection. The walls of the wad protect the pellets from the charge, restricting the shot pattern to a more coherent pattern. They shoot out of the gun and remain in the landscape long after the ducks and the hunters are gone. They float their way down rivers, from the wetlands to the sea. We have never been to the beach when we don’t find these in great numbers. Historically, they were made of compressed paper, but with the advent of cheap polypropylene, they are now made exclusively of plastic.


Our very first show, in 2001 at Gallery Route One in Point Reyes Station titled One Year One Beach: Disposable Truths, showcased what we, two people as a collaborating team, collected from Kehoe Beach in one year.


During that year, we found wads — over a hundred on a typical day of collecting. We wanted to express the awe we felt in finding so many. At first, we thought of a wall mandala made of a thousand wads, but it spun into a Spiral Nebulae seven feet across, a galaxy, a gyre, a focal point for One Beach, One Year. 



Spiral Nebulae



For (Processing) at the Worth Ryder Gallery in Berkeley, we asked visitors to help us identify mysterious pieces of plastic. With curiosity sparked, there was fun aplenty with dramatic plots about its elaborate history as a vintage wetlands object. Could it be a jellyfish hat or a piece of a spaceship?




Surfrider Foundation has been pro-active, blogging about the environmental impact of wads, and lobbying for wads to be made from paper/cardboard. We have participated in their data collection. Post your pics on Instagram.





Shotgun Wedding is a LOL story of Judith's wad and tampon necklaces purchased for the Yale Art Museum collection. Just one of many of her fashion statements on her Beach Plastic Jewelry site. 





Shotgun wads remain on our "hit list." Every time we go to the beach, we find them in a variety of colors and designs. Although they are a blight on the landscape, they are marvels of ballistic engineering. A shotgun shell's wad features a variety of designs that control the shot's performance and ensure safety by manipulating the shot pattern, managing the recoil, and protecting the pellets. Hey, maybe they really are a piece of a spaceship!!!









Wednesday, August 6, 2025

THE BOX SHOW


Gallery Route One

August 16-September 13

August 16, Opening reception 3-5 PM 

September 13 Closing Party and final auction



Early on, back in the day, every year for the GRO The Box Show box we made boxes. But, when so many artists clamored to get in the show, we took our leave, making space for others to join in the fun.


Recently, when we were at the gallery director, Shelley Rugg, was there distributing boxes. She had a few remaining and encouraged us to come back into the fold and we are so glad that we did. 


It is a fun challenge to do something to a simple wooden box and create something fresh that will sell for big $$$. This is Gallery Route One’s biggest fundraiser of the year where 150 identical wooden boxes are transformed into 150 one-of-a-kind works of art by incredible local artists.


So dear friends we ask you to:

Bid box.

Bid big.

Bid often.


AUCTION SITE



Richard writes:

Title: "The Buddha's Last Instruction"

I've chosen to make the box into a small shrine commemorating the Buddha's Last Instruction. It contains a small statue of the Buddha seated in meditation, a mandala I created with computer software, and, of course, an antique light bulb found on Kehoe Beach (PRNSS), because we all know the Buddha's last instruction was "Make of Yourself a Light,"—don't we? Well...now we do!!!









Judith writes:


Calcite and chalk were the first whites used by Paleolithic artists to render drawings of animals thundering across the cave walls in the Dordogne region of France. While the true significance of these ancient artworks may remain elusive, they are believed to hold profound symbolic or spiritual meaning.


White is the most common color of plastic that regularly washes up onto Kehoe Beach, Point Reyes National Seashore. The shards and fragments tell the story of the use-it and toss-it ethos of our contemporary consumer culture.


Take a moment to let your eyes adjust to the seemingly monochrome of this stele. Allow the reflections from the shapes come into view. Notice the subtle variations in the shades. Contemplate the mystery of white as all visible light.


Let this exploration inspire you to appreciate the beauty and complexity of what is often overlooked.









Saturday, July 26, 2025

we take AIM


Will Clapp, Dola Tibbs, Rose Dalager, Demi Hall



The AIM teens (Academy of Integrated Humanities and New Media) from Tam High were here last evening for dinner (Indian from Arti's) and the showing of their film project, MATTER OUT OF PLACE. 

We laughed, we cried. 

👏🎥👏🎥👏🎥👏🎥👏

Their youthful energy and their commitment to the environment is just the boost we need to lift us from the despair of politics gone awry.





The Academy of Integrated Humanities and New Media (AIM) is a film program at Tamalpais High School in Mill Valley, CA. This is a two-year interdisciplinary program for juniors and seniors that integrates the classes of English, History, and Media Studies. Each semester they produce award-winning short documentaries. 

Wednesday, July 16, 2025

"Skyscraper" the Whale - Have We Breached the Limit?

Doug Woodring from Ocean Recovery Alliance just sent these blast-from-the-past (2019) videos of the Bruges Whale. Happy to see our Can you find me? signs doing what we hoped they would do, engaging the public in a game of looking.


Tuesday, July 1, 2025

TRASH





We are keen on teens and especially when that means (TRASH) The Recology Artstart Student Hub. 

Big thanks to the Marie Kneemeyer from Recology and Heather Brook from Artstart for inviting us to present our One Beach Plastic project to the TRASH student artists. Their positive response gave us a real boost. All too often the problems of climate change and plastic pollution seem so huge that one can feel demoralized, immobilized, and bewildered about how to take action. With all of the catastrophes in the world, we are happy to find real joy in life — the creative moment gives us the best pleasure we can imagine.

We are looking forward to seeing everyone on September 4, 4-6 PM for Reclaim, Repurpose, Recover at Sonoma State University Gallery where we will, as the curators Eileen Parent and Stefan Kiesbye say, "explore the act of transforming discarded objects into meaningful art that holds powerful significance for the human experience. By reclaiming materials that would otherwise be wasted, artists mirror the process of self-discovery, personal growth, environmentalism and sustainability. The symbolism lies in the ability to recognize hidden beauty, potential, and resilience in both objects and ourselves."

This exhibition will showcase the works of Bay Area artists: Mia Feuer, Bryan Keith Thomas, Arleene Correa Valencia, Richard Lang and Judith Selby Lang of One Beach Plastic, and feature selected works from the Recology Artstart Student Hub (TRASH) summer residency program.